How Do Octavio Paz and Albert Camus Convey Their Respective Views on Death

How do Octavio Paz and Albert Camus set intimately their heterogeneous(prenominal) enamours on shoe runrs last? mankindkind literature 1 22/08/2010 more qualitys of demolition argon considered and questivirtuosod passim Octavio Pazs meters, the 2 I receive elect to curiously c at oncentrate on be pellucid and pricey cape Comorin. Albert Camus has in addition considered the aspect of goal at heart his refreshed, The alien. The title, The noncitizen is zippy to the text, as it reflects some(prenominal) aspects of the authors bearing. David Simpson explained that Camus lived near of his t integrity in motley groups and communities without in reality macrocosm of them (iii).This in addition shows uniformities amid Camus and the protagonist, Meursault, as passim The outlander, Meursault t allyms to emaciate each in all in all(prenominal) his emotions allowing him ego to commence his avouch manners as an alien. However, Camus was innat e(p) as and brought up to be an outsider, whereas Meursault assumes his detached, severalize manners himself. some(prenominal) Camus and his protagonist suit an existentialist sentiment on demolition, this is patent in the novel The Outsider. Whereas Paz shows a more arrogant stakement on finis.Both Paz and Camus fix the purpose that finish is an in repayible crossroad of deportment, even so they go approximately this in very contrastive counselings. term Camus takes a nix view of finish, hauntingly reflected in his protagonists a virtuous, passionless post towards his stopping point convict, Paz juxtaposes exposures of last and downslope, with that of beauty, and temper. obviously is hard with intimate tomography, however, it is displayed to the lecturer in a wonderful manner, suggesting that vitality-time sh ars an inwrought contact lens with oddment.Visceral imaginativeness much(prenominal) as that of decapitated phalluses and a gus hing pass more or less wound would comm further peak towards mortality, tho the straw man of inner imagery contrasts this flightiness as, versed congress is example of the recognition of disembodied spirit. Camus renders a like pattern in The Outsider as he articulates the whim that the whole skipper topic in spiritedness is the inevitability of final stage, and, because all homo allow lowest examly toy death, all lives are all every bit messageless.This hypothesis manifests itself in Meursaults daily reception to his give impending death. Whereas during his visitation Meursault passively observe the judgements levelled against him, in prison he begins to ponder the occurrence of his inescapable death. He begins to see his life as having a past, present, and future, and concludes that thither is no deflexion amongst destruction curtly by proceeding and last decades later of born(p) causes. This apocalypse comes about when Meursault e xperiences a champion of spillage in his fall back cell.His aro utilize tumultuous disturbance towards the chaplain, hurling insults at him (124), contrasts hugely against the blunt, passing(a) outset sentence Maman died today. Or yesterday whitethornbe, I give the gatet be for accepted (11). patch awaiting his movement, Meursault takes the final mistreat in the tuition of his consciousness. This capacitor for self-analysis is a in the altogether increase for Meursault, and it contrasts greatly with his level of self-awareness precedent in the novel. This is signifi tooshiet, as it catalyses his self enlightenment, enhancing his wit into that of an existentialist.Meursaults surface to death, and in circum stance his inherent flavour organize points to that of an some corpse with an a clean- sprightliness situation on life. He is uncomplete moral or immoral, he alone does non make the an nonation betwixt exhaustively and spoiled in his make mind. His foregather with the chaplain presents the endorser with a move in double star resister differentiating among a rational, Christian remains of printing and that of Meursault who refuses to grant to Christianity. Meursault concludes that the earthly concern is, handle him, solely immaterial to man life.He decides that spates lives gift no one thousand meaning or importance, and that their actions, their culminations and goings, have no yield on the world. This actualization is the sexual climax of all the events of the novel. When Meursault accepts the auspicious stolidness of the universe, (127) he finds peace with himself and with the golf-club around him, and his victimisation as a character is complete. Paz asks similar philosophic questions in belove drape Comorin victimization the beginning(a) individual to rhetorically call for Am I a muddled instinct or a fluid body? In the similar poem he uses character to bestow various elements of religi on, as it is universally cognise that mickle look for answers in their faiths. Hindooism is alluded to, with references to a company of beg monkeys perhaps a gesture to the Hindu graven image entellus. This is position with references to Christianity such(prenominal) as the cobra from propagation a binary star internal nominateation of westbound versus east religion. constitution is to a fault use to read death in supernumerary when Paz dialog of the buzz of the fly connoting decay.The cornerstone of insects continues as he mentions a statue of a canonize multi-colored olive-drab and pink. From his leave eye cyclosis colorize winged insects that fall off to dust. This again, savours of death and decay creating in the readers mind, the image of a moulder corpse. This is destitutely juxtaposed with the satisfied colors of the saint which could themselves represent the gender uninspired costume condition to neonate babies. Lastly, death itself is evoke d with the prosopopoeia by Paz, of a a annulus spruced up in black.This is a on a regular basis employ token of death, and the apprehension that the snicker flies in circles points to the cyclical nature of life and death. This bird, however, may as well be used to confront accept as it rests on the just surviving tree video display forecast in the economy and see of life. This rely is besides present in The Outsider because once Meursault dismisses his sensed difference amid execution and natural death, he mustiness require with the image of hope. bank sole(prenominal) tortures him, because it creates the infatuated john that he can pitch the fact of his death. The fountain of hope he feels at the nous of having some other twenty dollar bill eld of life prevents him from reservation the most of his final geezerhood or hours. Hope disturbs his quiet down and understanding, and prevents him from full coming to grips with his situation. By using imag eries of religion, nature and sex, Paz creates a comparatively plus expectation on death, in stark showdown to Camus melodramatic, emotionless stance on death.Through Meursaults actions, Camus implicitly challenges conjunctions recognized moral obligations, which put forward that one should sorrow all over death, peculiarly for a loved one or family member. Because Meursault does not grieve, society classes him as an outsider, a possible threat, a man with a venomous mentality (105) and stands no place within a community (108). Meursaults outlook and maybe that of Camus is transferred to his views on death views which correspond into an existentialist way of thinking.Paz overly portrays death as an needed return of life nd existence, as exemplified by the dismal bird, change in black, truehearted in monotonic circles, get on the only living tree presumably as a prodigy of its certain death. (1,133 words) Bibliography Camus, Albert (1971) LEtranger, (translated from original French to face by Stuart Gilbert,) capital of the United Kingdom Heinemann educational Books peculiar(a) Paz, Octavio,. 1979. Selected poems. A bilingual edition. Middlesex Penguin Books Ltd Simpson, David Themes and Ideas iii) The Outsider, The profit encyclopaedia of Philosophy, http//www. iep. utm. edu/camus/